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Guests ages 12 and older will be required to show proof of full COVID-19 vaccination or a negative COVID-19 test along with a photo ID for entry into the Theatre. If children between the ages of 12-17 do not have a photo ID, a parent or guardian will be required to verify their identity. I’ve never heard a girl be called a Genius. “I know now that I’ll have everything that is meant for me, so I don’t have to be urgent about anything, really. “I’ve learned many things about myself over the years,” Badu says astutely. Be it music, fashion, or technology, she’s always been ahead of the curve.learning, reflecting, growing - peacefully thinking about the next steps in her storied career. An advocate of natural childbirth Erykah has since become a doula herself.įrom musician to tech CEO to music supervisor to mother, Badu continues to defy expectations and never stops creating and innovating. She has three children, son Seven Sirius (b. In 2000 she won another Grammy (Rap Performance by a Duo or Group) for in 2003 she was awarded the Grammy for Best R&B single for her song “Love Of My Life (An Ode to Hip Hop).” Badu’s artistic and spiritual contributions to humanity earned her an honorary Doctorate degree in Humanities from Paul Quinn College in 2000. She has released 10 Top 10 singles on the Billboard Adult R&B Songs chart, including 3 #1s. Since her debut Baduizm went multi-platinum, winning her two Grammys for Best Female R&B Vocal Performance and Best R&B Album, all of Erykah’s studio albums have debuted within the Top 15 of the Billboard Album Charts, with 4 of them debuting within the top 4. Since she burst on the scene in 1997, the Dallas based (and Texas proud) Badu has released 5 studio albums, countless singles and EPs, and has toured the world many times over.
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There are no sponsors the series is a direct line from artist-to-fan. Sensitive is being produced and directed in collaboration with the artists. The genre-fluid series is curated by Erykah and presented by BaduWorldMarket and B dubya Streams.
Sensitive platform, a means for artists to showcase their live show. Making good on that promise, in September Badu launched her Too. I want to support an ecosystem that keeps musicians going.” Of the series, Badu told New York Times in Sunday’s Arts & Leisure cover story, she planned on sharing her new-found technical prowess and platform once she made all the mistakes first.
“I needed to figure out something that feeds all of us and I wanted the experience to have the integrity of my live show. That only feeds me,” Badu recalls, thinking of her band and crew. “I didn't want to just put a phone on a tripod. She charged fans just $1 to $3 to access a show that would normally have been $80 - $500 at a concert hall. She entered the tech space to create the ambitious Quarantine Concert Series: The Apocalypse which married technology with Badu’s creative vision to give users an unmatched, first-of-its kind, intimate and interactive steaming experience that maintains the integrity of her live shows.
Never one to wait-it-out, Badu quickly pivoted and can now add the label “tech visionary” to all the other ones that have been applied to her in years past. The plan was to spend 2020 performing but the appearance of Covid of course canceled all tours for the foreseeable future. So the title “Queen of Neo-Soul,” as regal as it sounds, could never capture Badu’s true depth - and 23 years later, she’s still defying the term. A forward-thinking creator, she was a gentle spirit and a badass, a multifaceted mix of tender R&B and old-school funk. But Badu was never just that, and was never meant to rule one thing. It was a fine enough title at the time neo-soul was a nascent subgenre and journalists were trying to grapple with this new sound. In 1997, following the release of her landmark debut album Baduizm, Erykah Badu was dubbed the “Queen of Neo-Soul” in the press.